This is the first single from the new album. "You're Killing Me Fresno".
After I broke my mind making the movie to accompany the album, “The Future Is Fresno”, I had to do something else. After that giant production, I wanted to return to live based recording, as that has an immediacy and reality to it that better showcases what I attempt to do. I also wanted to spend time with the keyboard, as I’ve never really played the keyboard. That turned from learning some basic things into a giant songwriting production, incorporating all of the sounds I found.
I wrestled with my ineptitude, versus wanting to make a live based album, and went with ineptitude, AND doing the live based album.
So, I did the E-drums with my foot pedals, as I do live, and sang and played keyboard with MainStage-a live based performance program- patches strung together in scene dependent splendor, at the push of a button. You just push a button!
I also incorporated lots of samples that I created from sounds found online at
Freesound.org, and Arturia brand software donated by Frank Giordano.
Auditioning thousands of sounds takes a lot of time. Computers are frustrating.
These performances were all captured live, with no “overdubs”, and were edited for best performances as needed. I kept performances for their life and vitality, often embedded with “errors”, which keeps the raw element intact. It is joyously not perfect. I feel the “errors” give it a humanity that big studio projects are often stripped of.
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NERD ZONE:
There are no loops or click tracks. Samples were played from keys, with and without pitches.
I used multiple drum trigger inputs with varying thresholds-on the same instrument/sounds- for depth and variation in amplitude.
2 different kicks, 2 different snares. 3 pedals, played with one foot.
All of the keyboard sounds and relative volumes and panning were premixed, and recorded as two stereo tracks. Vocal effects were added in the post-mix, and were not done live, only so that they would still be mixable later.
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“You’re Killing Me Fresno” is meant to be as dark as it is, but hopefully in a funny, cheerful, “Hey, your foot is on fire” kind of way. I also had no regard for making the songs short.